}| 20 |{

[never_very_good]

This office is slick and modern; well-appointed but not cluttered. There’s a massive white desk, with a comfortable, large chair behind it, and a smaller seat on the other side. Above it is an unfamiliar logo-- a large white circle with a rectangular piece bitten out. Everything is strangely lit from unlikely angles, the whole room crisscrossed by dim blue shadows. When you look for the edges of the room it seems to bend, blurring in a way that suggests it’s not all there; an imperfect reconstruction from distracted memories. Perhaps that’s why this mundane place seems so ominous.

A little further down the wall, about a yard from the end of the desk, a wide picture window breaks the white plane. Frankie Dalton is standing beside it, staring down at something you can’t quite see, from where you are.


[ooc; all threads are different instances of the dream, and what you see below will vary by person <3 so feel free to tag on in! May be slow, will backdate forever and ever and ever. ilu.]

Comments

[eiremagic]

Eden takes a careful step in - she doesn't like dreams, she inherently doesn't trust them, and the fact that she's asleep next to the person who is having this one makes it only a little better.

"What are we watching?" she asks, sliding in next to him.

[fatespoken]

Amory isn't sure when he'd manage to wander in, but that's the rule of dreaming, isn't it? Everything's in media res when you dream, always slipping in through blurs and into midpoints with your eyes half-closed. Then everything snaps to clarity. But he knows that even now, with details too lucid to fit a dream, that it is a dream, for dreams with a character too vivid to be called dreams are what he endures week by week back home.

This isn't home, and he recognizes nothing in the immediate scenery. Not the large chair, the white desk, nor the logo hung above the desk. Strangers are commonplace in his dreams; however, there's something he recognizes here. Someone he recognizes.

Amory observes Frankie Dalton, as he leans against the opposing side of the wall within a shadow.